September 30, 2006

Digital Photos And Digital Cameras - Advantages

here is no debate that digital cameras are going to take over the photography market and with time we will see less and less film cameras sold and used. It is beneficial to take a moment and try to list the advantages of digital cameras and digital photos and put some order in why everybody likes them so much. In this article you will find that list. Digital photos and digital cameras have many advantages and allow many new usages that were not possible with film. Here are a few:

Low photo cost: Photos taken with a digital camera literally cost nothing. The photos are kept in erasable memory and thus can always be discarded at no cost. Viewing the photos is immediate and does not cost anything (there is no film development cost). Also the photos you would like to keep can be copied to digital media such as a computer’s hard disk. With storage prices going down the cost of saving a photo on disk is practically zero.

The capacity: With ever growing storage capacities digital cameras today can hold hundreds and sometimes thousands of photos on a single media. You can always have a few more in your pocket and changing is very fast. The result is that a digital camera has practically infinite capacity. You can shoot as many photos as you want and at the end of the day just dump them on your computer’s disk. There is no time lost changing film and there is no photo opportunities lost due to lack of film or reserving film for later.

The feedback: One of the great advantages of digital cameras is instant feedback. Almost all digital cameras include a small LCD screen. Once a photo is shot you can go back and watch it on that screen. The ability to see how the photo looks like results in better photos. If the photo is not good you can take another one. Being able to see the photos on the spot results in an educated decision how to fix a photo or how to compose it better. It takes a lot of the guessing away from photography.

New shooting angles: With digital cameras you can take photos without your eye glued to the viewfinder. Overhead shots where you raise the camera over your head are much easier since you can still see what the camera is shooting by just looking up at its LCD screen. You are not limited anymore to angles where you can look through the viewfinder – you can shoot from any angle that the LCD is visible from. You can always shoot blindly like photographers used to do with film cameras.

Correcting photos: With digital cameras photos can be corrected using photo editing software. Some correction abilities are built-in the cameras but many more are available as software packages for your PC. Such corrections include red eye removal, contrast enhancements and more.

Changing conditions: With digital cameras the settings of the sensor can be changed instantly for each photo taken. With a click of a button the camera can be put in an indoor or outdoor mode, low light, night photography etc. Some cameras will automatically sense the scenario and set the sensor mode accordingly. This is literally like changing a roll of film to the optimized one for every photo you shoot – the best ISO, color features and more.

Longevity: Digital photos never lose their quality. A digital photo will be identical today and in 500 years. As long as you refresh the digital media every now and then and back it up your photos will literally last forever with no quality degradation. Digital photos do not turn yellow, they do not fold or get torn.

Ziv Haparnas is a technology veteran and writes about practical technology and science issues. This article can be reprinted and used as long as the resource box including the backlink is included. You can find more information about photo album printing and photography in general on www.printrates.com - a site dedicated to photo printing. Please visit http://new-best-camera-digital-review-cheap.blogspot.com/

September 29, 2006

Knowing Functionality Digital Camera Printers

By Kevin Rockwell
Once you have clicked photos through your digital camera, then the next step is to turn these ‘virtual’ images into real photos. One way is to send the memory card to a digital photo laboratory and get the images developed there. But if you click digital photos on a regular basis, then it is better that you buy yourself a digital camera printer, or more commonly known as a digital photo printer. There are lots and lots of choices available in the market today. The top three companies are HP, Canon and Epson. So, before you go and spend your money, here are some tips on what you must keep in mind while deciding on a digital photo printer.

Firstly, digital photo printers are available in two basic types. There are 4-color printers and 6-color printers. Nowadays, there are even 8-color printers available. So, the higher the number of colors the better will be the photo quality once you have hit the print file button. Using good quality photo paper and one of the 8 color printers will give you results that rival your photo lab.

Secondly, the printing method used by the printer is also very important. There are 2 main printing methods: inkjet and thermal. Inkjet is commonly used for taking photo prints but the quality of the printout is not excellent. You need to have at least a 6-color printer to get decent print quality. Also, the ink cartridges are quite expensive and the biggest disadvantage is that inkjet printing does not provide a waterproof coating to the images. Hence, the color fades after some time.

Thermal printing, on the other hand, is much better since it not only applies a waterproof coating but is also better quality-wise. It is also more cost effective as the paper and ink cartridges used are cheaper.

Most of these printers can be purchased under $500. However, there are few key characteristics that are different in all these printers which determine their price. These are :

· The printing width differs amongst printers. Normally the width is either 8.5" or 13". The highest quality printers will allow you to go larger but at a much higher per print cost.

· If you want to print really great looking black-and-white images, then the printer needs to have grey inks as well. So, an 8-color printer would be best suited for this purpose.

· Whether your printer has separate ink tanks for each color or does it have multiple inks in each cartridge. If you have multiple inks, then you have to replace the entire cartridge even if one color finishes. Hence, it is more expensive to replace such cartridges and you waste a lot of ink as well.

· The ability of the printer to print directly from your camera or a memory card through a link.

· The printing speed per minute. This can go up to 10 minutes for a colored snap, so you must properly check this out depending upon our usage.

Multi use printers are great for a busy office or household but if you want to make fine prints out of your digital images you should invest in a dedicated digital camera printer or digital photo printer. Look for models that will take the most popular memory cards straight into the printer without having to load the images into your computer.

Author information:

Kevin Rockwell worked as a network TV cameraman for 20 years shooting news and sports. Now a devoted fan of digital photography and video he works to gather information, tips and news for digital camera users. Oh and he loves to shoot pictures of his kids playing sports with his digital camera. He has some nice prints hanging on the wall. Please visit :
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September 28, 2006

The Advantages of Underwater Fishing Cameras

Want to see what's really going on under the water or ice? You can eliminate some of the mystery beneath the water or ice and expand your knowledge by using an underwater fishing camera. An underwater fishing camera can be a wonderful tool and great fun too. An underwater camera can show you many things about your fishing techniques. It can be your eye underwater and you won't even get wet.

See more fish, catch more fish, and have more fun fishing with an underwater fishing camera. You can put yourself eye to eye with the fish in their natural environment. You will be able to identify different species and how they react to your bait presentation. With an underwater fishing camera, the ice angler easily can determine the size and species of fish. (Fish can be detected with sonar, but it cannot identify what kind they are.)

What is the lake bottom like? Sonar can tell you whether the lake bottom is relatively hard or soft, but it's difficult to tell whether the lake bottom is sand, gravel, or small rock. The camera shows the bottom easily and can help avoid problems.

The underwater fishing camera is also great for entertainment. You can watch fish and their reactions, even if they aren't biting. It is also great to just record your fishing adventure so you can bring it home and show all your friends and family.

There are different models of underwater fishing camera and video mechanisms for you to choose from. Use an underwater camera for fishing or diving purposes, or as a supplemental piece of equipment used for ice fishing.

You should be able to see under water from about two feet up to 50 feet. Average viewing distance in fresh water is five to ten feet. In saltwater, the average is seven to fifteen feet.

You can easily attach the underwater fishing camera to a standard down rigger. Using a standard release clip in reverse the camera is attached to the cable just above the cannon ball. The current will make the camera look backwards at your bait while you fish.

For high-speed fishing your underwater fishing camera can be towed through the water on the HST (high-speed tow) accessory. With the HST accessory you can tow the camera up to 12 knots and have your lures drag directly behind the camera to catch any and all strikes on video.

The camera can look straight down or to the side, and even look slightly back up towards the surface. They are fully adjustable and versatile.

There are several options for controlling the camera while in the water. There's a stabilizer fin for high current areas and a camera rotation handle for low current areas. By turning the cable with the handle the camera head will rotate with the cable.

Some underwater fishing cameras have the ability drop cameras with as much as 1000 feet of cable. Beyond 500 feet you have to add special video amplifiers which add cost to the system.

A submersible, waterproof video camera will mount to any standard camera tripod and work just as well above the water for surveillance, sport activities, wild life viewing, swimming pools, and even for security around homes and businesses.

Underwater Cameras Info provides detailed information on underwater cameras, including underwater digital cameras, underwater video cameras, and underwater fishing cameras, as well as underwater camera housing and cases. Underwater Cameras Info is the sister site of Disposable Cameras Web.

September 25, 2006

Digital Camera Review: Canon PowerShot S3 IS

Canon PowerShot S3 IS digital camera review :
The Canon PowerShot S3 IS is the successor of the popular PowerShot S2 IS camera, which was subjected to an array of tests in one of our previous in-depth digital camera reviews. Digital cameras such as the Canon S3 IS enjoy a considerable popularity, which arises from the fact that they have so much to offer for a relatively low price.

The Canon PowerShot S3 IS features, for instance, an impressive 12x optical zoom, equipped with an image stabiliser, which enables hand-held shots even when working with long focal lengths.

The rotating and tilting monitor allows you to capture your images from virtually every imaginable position and angle. The resolution of 6 Megapixels is more than sufficient to produce a beautiful A4, or even A3, print.

Canon S3 IS - Attractive type of digital camera
The Cannon PowerShot S3 IS is one of a truly unique group of digital cameras, and is particularly suitable for photographers that seek functionality, yet not the costs and size of a digital SLR camera. Naturally, the fact that the Canon PowerShot S3 IS allows you to zoom in to a great extend, should be looked upon as an enormous advantage; after all, this means you no longer need to invest in the extremely pricey lenses that the SLR camera requires.

Image stabilisation is an indispensable factor when working with such long focal lengths, which is why you are likely to see at least one form of stabilisation on practically every single model in this segment of the Megazoom cameras. Remarkable however, is that the amount of megazoom models seems to dwindle. Apparently, manufacturers are failing to see the benefits, even though this type of digital camera remains very attractive to the consumer.

Canon PowerShot S3 IS - 6 Megapixels
As far as looks are concerned, there aren't all that many noticeable changes from the Canon S2 IS. The black colour, however, is a definite improvement, and the different stickers also catch your eye. The resolution has increased slightly, and now stores a total of six million pixels.

The DIGIC II processor converts the pixels to an attractive image. It is not, however, the amount of pixels that is of foremost significance. The Canon PowerShot S3 IS camera has also been equipped with a higher sensitivity, and is now able to capture images in ISO 800. This is particularly beneficial when working in low-light conditions, as well as with the long focal lengths.

Canon S3 IS - 2 inch Vari-angle LCD screen
The screen on the back has been replaced by a 2 inch vari-angle LCD. With the S2 IS, we saw a monitor of a mere 1.8 inch. The vari-angle in particular proves to be a pleasant improvement. You are now able to maintain a decent view on the monitor from many angles, even with a lot of light present.

To meet the rise of HDTV, the Canon PowerShot S3 IS features the option to capture images in wide-screen format, with a ratio of 16:9. In addition, you will find further functions to enable the recording of video clips, as well as an extra Sports programme.

Canon PowerShot S3 IS review
All the positive sides of the PowerShot S2 IS seem to have found their way to its successor. The Canon PowerShot S3 is an exceptionally compact digital camera that is easily carried along. The DIGIC II processor ensures a fast and proper processing of the image information, just as was the case with its predecessor.

The Canon S3 IS camera can be equipped with a variety of accessories, such as an external HF-DC1 flash, a tele converter, a wide-angle adapter and a lens hood.

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September 24, 2006

Comparison between Compact Digital Camera and digital Slr Camera

Digital Single Lens Reflex (SLR) cameras are excellent cameras that produce clearer, sharper and more colourful images than most point and shoot digital cameras available. With prices falling rapidly, they are now more affordable then ever. With the price gap between an entry model digital SLR camera and the most expensive compact digital camera narrowing; the question is? do I spend the extra money and get a Digital SLR camera? or save a few hundred dollars and purchase the best digital compact camera. Well, it really depends on your budget; however if you do spend the extra money, here's what you get:

In addition to the price falls in the Digital SLR models, the performance on these cameras has increased year on year with the latest Digital SLR cameras being quicker and faster than ever before. They have improved to such an extent that power up or start-up time is near instantaneous with virtually no lag time. ?Lag time is the time between you pressing the shutter release button and the camera actually taking the shot?. This delay can vary quite a bit between different camera models and it is one of the biggest drawbacks compared to a compact digital camera. The latest digital SLR cameras have virtually no lag times and react in the same way as conventional film cameras, even in burst mode. Compact digital cameras are catching up; however the difference is still significant. A lag time of ~0.5 seconds can result in you missing the heartbeat of the moment and hence that potential great picture.

Digital SLR camera also has a larger sensor versus a smaller sensor in a compact digital camera. This equates to higher sensitivity and less noise and results in the camera taking clearer pictures in low light. (They also have better autofocus speed in low light as well). A measure of sensitivity in a digital camera is ISO and a typical ISO range for a Digital SLR camera varies from ISO 100 ? 1600 with the latter being more sensitive. The ISO range for a compact digital camera varies from ISO 50 ? 400. In summary, the higher the ISO rating, the greater the sensitivity and the better the photo can be taken in low light.

The Digital SLR cameras have a much longer battery life due to the limited use of the LCD screen. Please note, that as the LCD screen is only used for viewing the image, the battery life of a digital SLR can allow up to 2000 shots per charge in some cameras compared to 500 for a good point and shoot digital camera.

Digital SLR cameras also allow you to interchange lens such as adding a zoom or macro lens when required.

On the negative side of a Digital SLR camera; they are usually larger and heavier than compact digital cameras, the image cannot be previewed on the LCD screen prior taking the picture. If you really require the image to be viewed on the LCD prior to taking the picture, there are third party manufacturers that produce LCD screens that attaches to the viewfinder and allow the scene to be view just like a compact digital camera. The other drawback is the inability to take videos and finally, lenses are expensive with the majority costing more than the camera itself.

Although compact digital cameras cannot compete on features with a Digital SLR camera, they are great value, have the ability to take videos and are portable. If you have decided to purchase a Digital SLR camera I recommend you visit other websites which has Information on Digital Camera and compare the features. If you are still undecided, purchase both.

About The Author
Virginia Wong is an IT consultant and has a passion for digital photography. Her research into digital camera resulted in the development of her own digital camera website. http://infodigitalcamera.com and http://new-best-camera-digital-review-cheap.blogspot.com. This article is free to use, distribute and copy as long as the link remains in place.

September 22, 2006

Digital Camera Accessories and Extras

Once you have a great digital camera, enhance or improve the experience with many different digital camera accessories. Some decent camera bag to protect your investment or extra memory cards are crucial, some a good photo printer or tripod are simply handy. Here is a list of the best digital camera accessories that should be buy.

1)Camera Bag
It is important to protect your digital point-and-shoot camera from LCD scratches, dings and other general abuse. A great camera bag can do that. You don't want one that is too big and bulky, but you also need to be sure your camera fits. They can hold all the little extras, too, like batteries and memory cards. Here is a list of the top camera bags for digital point-and-shoot cameras.

2)Memory Cards
Even if your digital camera has some built-in memory, you can be sure this is one of the first investments you will have to make. Don't believe me? Go shoot a handful of photos, and then see your space for images dwindle to nothing. Ouch! Having another large-capacity card, or even a couple medium-capacity cards, is truly manadatory to enjoy your digital camera.

3) Camera Tripod
Tripods really are a necessity if you’re serious about photography, and that’s that. I know they’re big, bulky and a pain to carry around, but if you want to get rid of that camera shake that seems to appear in every one of your photos, then it's time to start the hunt for a good tripod.

4) Photo Printer
If you have a digital camera, a great photo printer will eliminate the middle man when it comes to getting wonderful photo prints for albums, to share with families or to frame and display. You want to be sure to choose a printer that is suited for photo printing, and will produce dazzling print-outs.

5) Portable Storage Device and Card Reader
If you plan to shoot a lot of photos, especially while on the road traveling, save yourself the nuisance of lugging along your laptop or spending a load of money on multiple memory cards. This storage device accepts 7 memory card types, and stores up to 100 GB of images.

6) Photo Editing Software
Even though many cameras come with photo software of some sort, you will probably find you want to upgrade to another more advanced program. The great thing about digital photography is you can fix those little problems later. A good software photo editing program is key to that.

7) Digital Picture Frame
Why get a simple do-nothing picture frame when you can have an amazing electronic version that displays slide shows, or even receives photos from family and friends across the country?

Author :
From Michael Carr,
Your Guide to Digital Cameras.

September 20, 2006

Kodak EasyShare V610


Kodak's EasyShare Software is another big part of the story. Especially in its latest implementation, it walks you through every step of uploading, enhancing, and emailing your photos, and has about the most graphically intuitive interface of any consumer imaging software I've seen. It automatically sizes the images for printing or emailing, stores copies, applies simple effects, and allows you to make image corrections, such as color, brightness, and contrast adjustments. The entire line of EasyShare cameras has some of the most goof-proof digital cameras out there, and the Kodak V610 and its included Picture Software carry on that tradition admirably.

The Kodak EasyShare V610 is based on the twin-lens design concept that first debuted in the EasyShare V570 -- a camera that included both a 39-117mm optical zoom lens, and a 23mm fixed focal-length lens, each coupled to their own five megapixel CCD image sensor. The Kodak V610 takes that idea a step further, featuring not one, but two optical zoom lenses. A 38-114mm equivalent lens provides a moderate wide angle to a moderate telephoto, while a second 130-380mm equivalent lens offers a moderate telephoto all the way out to a fairly strong telephoto. Each lens is coupled to its own dedicated six megapixel CCD image sensor.

The 16mm gap between the two lenses' focal length ranges is unlikely to be an issue, given that compact camera lenses tend to have predefined steps in their ranges anyway, rather than allowing perfectly smooth zooming throughout their range. The combination of lenses results in an impressive 10x effective optical zoom range; and indeed in its marketing materials, Kodak is describing the V610 as the "world's smallest 10x optical zoom camera." One zoom lever and one LCD display are together used to control both lenses and imagers, with the camera switching between the lens/imager combos as necessary depending on the zoom range requested by the user.

Two lenses coupled to two sensors aren't the only feature helping the Kodak V610 stand out from the crowd, however. The company has also managed to shoehorn integrated Bluetooth wireless connectivity into the V610 (something we've only seen in a handful of digital cameras until now). And this isn't just "plain old" Bluetooth either. Bluetooth lets you wirelessly transfer data to and from other Bluetooth devices, for example letting you swap photos with other V610 owners, send photos to cell phones or PDAs, or print to some printers and photo kiosks -- all without any annoying, bulky wires. Kodak's V610 implements the new Bluetooth 2.0 EDR standard, which was ratified late last year and offers almost triple the speed of previous Bluetooth implementations (although still nowhere near the speed of 802.11a/b/g wireless lan, better known as WiFi).

As well as the speed boost, Bluetooth EDR offers the possibility of increased battery life over an older Bluetooth device -- even though power consumption is technically higher. This is because Bluetooth devices switch to a low-power mode when not actively transferring data, and since the EDR devices can transfer data faster, they spend more time in the low-power mode. You can also save a little more transmission time (and hence power) courtesy of the Kodak V610's ability to resample images in-camera to 1024x768 pixels if you're making 4x6" prints, or 320x240 pixels for viewing on a handheld device such as a cellphone. As a Class 2 Bluetooth device, the Kodak V610 has a range of just ten meters (30 feet) -- significantly less than WiFi devices, but with lower power consumption. Further security comes in the form of a PIN number that's required to access the V610 from another device.

Compared to the V570, Kodak has also boosted the size of the LCD display in the Kodak V610 by a third of an inch, to a whopping 2.8" display that dominates most of the rear of the camera's sleek, stylish body. Other interesting features include Kodak's "Perfect Touch" technology, which lets you correct exposure after the fact, and preview results side-by-side to confirm them on the camera's LCD -- all while only affecting the underexposed areas of the image, and leaving the correctly exposed areas alone. There's also an anti-blur mode (which doesn't use any form of mechanical stabilization, but rather boosts the camera's ISO sensitivity and aims for a faster shutter speed in the first place). The unusual (and rather fun) panorama mode from the original V570 also returns, letting you stitch up to three images together in-camera with an on-screen template helping you position the shots. Finally, the Kodak V610 offers the unusual ability to extract JPEG images from videos captured on the camera, as well as to save 4, 9, or 16 equally spaced frames from a video as a single (tiled) image, ideal for analyzing your golf swing or tennis serve.

September 19, 2006

Fujifilm FinePix F30

Reviewed by: Dan Havlik
Another brand of Digital Camera with dynamic innovation comes again with FinePix F30 series.
FinePix F30 camera's respectable 6.3-megapixel imaging capability is discreetly etched along the Fuji F30's front grip which is, of course, covered by your finger every time you take a picture. Even the little green and white promotional sticker Fujifilm has placed on the camera highlighting its most important features doesn't say how many pixels the camera has. Just a few short years ago this sort of approach would have been downright bizarre.

Back then, everyone knew that megapixels meant imaging power, and the more you had the better. So if your camera came equipped with a fine 6.3MP Super CCD HR, like the Fuji F30 has, you put that information front and center on the camera for all the world to see.

Times have changed, though, and 6.3MP Super CCDs don't impress like they used to. With consumers now all too familiar with the perils of putting so much emphasis on pixel power, manufacturers have had to re-tune their camera's bells and whistles to attract savvy buyers considering an upgrade. In the case of the F30, Fujifilm is pushing the camera's extraordinary low-light shooting potential. Fujifilm is not alone in taking this tack. Several manufacturers have been emphasizing the expanded light sensitivity of their compact cameras with their ability to reduce blur thanks to new image stabilizer technology. (See my review of the Canon SD700 IS, for example.) The Fuji F30 ups the ante, however, by offering an eye-popping light sensitivity rating of up to ISO 3200 equivalent, a level not even seen on many digital SLR cameras; and as of this review, not on any competing compact digital cameras on the market. According to Fujifilm, the camera's "sixth generation Super CCD sensor" produces a lot less "noise" (i.e. that fuzzy stuff you see in some digital images) than its predecessor, especially when shooting a higher ISO settings.

But does the Fuji F30's ramped up light sensitivity and added features like Picture Stabilization technology, and an "intelligent" I-Flash -- all of which Fuji has marketed under the umbrella rubric of Real Photo Technology -- add up to better pictures? Read on and find out if there really is life beyond megapixels.

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September 15, 2006

Megapixels in Digital Cameras - What does it means?

Digital Camera compare to Analog Camera - it is only on picture save format, where analog camera will save the image to klise and digital camera will save it into digital media. What about price ? Mostly digital camera is cheaper than Analog camera but ..... you need a computer to download so the price both is almost the same. But the interesting with digital camera that you can directly delete or erase the image result, so now people prefer to choose digital camera for traveling and a snapshot events.

Now, with all this available technology, why should we ever worry about pictures again? Well, the plain truth of the matter is this, if you don't have a computer, it's still expensive and quite time consuming to download your pictures at the local Wal-mart (or Wal-greens), instruct the computer there to copy the pictures to a disk, and then pay for the actual printing. See, it's at this point that most consumers realize it's just downright easier to buy an old fashioned, film loaded, camera.

Let's assume, however, that you do have a computer, and you do want to purchase a digital camera. What kind of camera do you need? Where do you begin to check out your options and see how they relate to your needs? Well, the first part of the process would be to visit an electronics store in your area. The stores that specialize in electronics will generally have a sales person on hand that can explain all the available features of a digital camera and help you decide what you need and what you can live without.

One of the big questions concerns the "megapixel" feature of the camera. The larger the megapixel number, the better the quality of the picture. You see, megapixel determines how the camera reads color combinations in order to produce the best photo possible. Now this might be a matter of great concern if you are a professional photographer, but to the everyday consumer, three or four mega pixel strength is all you need.

Next you will want to examine what types of subjects you will photograph and under what kind of conditions. Do you need a camera that makes pictures of moving objects? Are you making your pictures at night, or during daylight hours? Up close and personal, or over on the next block? All of these questions are valid and will affect the quality of the picture you get if not correctly addressed.

There is one final option that you might want to check: some of the digital cameras also do video. The cameras tape the audio and video of the moment as well, or better, than some of your larger video cameras, just not as expensively.

Last but not least, you need to understand your storage options, and determine how much storage space you need. Going to the family reunion, room for maybe 10 pictures will be enough; But now the class reunion, well you're going to need room for at least 500 photos. Alright, that brings this topic to a close and moves us on to the subject of memory stix.

About The Author
Frederic Madore is the founder of the http://digital-camera-information.info website. Get the best information about Digital Cameras at http://new-best-camera-digital-review-cheap.blogspot.com/

September 14, 2006

Review - Nikon D50 digital camera

Almost the same with Nikon D70 series, now the D50 is also equipped with a beautiful large monitor of 2 inches. And both cameras contain the same image sensor; the well-known Sony CCD which is also used in the Nikon D100. The Nikon D50 is therefore a 6 Megapixel camera with a for Nikon standard focal length of 1.5. The D50 is the first Nikon reflex camera to use a Secure Digital memory card for storing the captured images.

Nikon definitely scored a bull's-eye with the Nikon D70 digital SLR camera. The D70 seemed to throw its biggest rival, the Canon EOS 300D, into the shade. The Canon however carried a more attractive price tag. So Nikon struck back with the introduction of the Nikon D50 digital reflex (D-SLR) last April. A digital reflex, which is more compact than the Nikon D70s, but still featuring many interesting specifications.

Nikon D50 one of Entry level digital SLR
Compare with D70 serie the differences between the two cameras are mainly found internally and in the amount of setting possibilities. Internally the Nikon D50, for example, is equipped with a different sensor for light metering.

The D70s offers the user more settings, the menu is more extensive. To what extent this is important, depends on the user of course. The Nikon D50 clearly aims at the consumer who wants the advantages of a reflex camera, but who doesn't want to be bothered with all kinds of settings. And this is a very large group of consumers, the so-called 'crowd'. The Nikon D50 is exceptionally ideal for those taking the first steps into digital photography or for those who just want to take nice snapshots. We worked with one of the first samples of the camera and I'd like to invite you to read our experiences in this review.

September 13, 2006

Review: Nikon Coolpix L4

Review By Jennifer L. DeLeo
Here the price for Nikon Coolpix L4 $149.95. Never adoubt the picture result!
For most first-time digital camera users, the bells and whistles on many of today's high-end point-and-shoots are more daunting than desired. The Nikon Coolpix L4 is the fourth member of the Nikon Coolpix L-clan. Novices will appreciate its simple menu navigation and useful in-camera features such as cropping and repairing dark images. I was satisfied with both its picture quality and in-camera features, but the lack of a viewfinder and the inability to record video with sound hurt the camera's rating. Still, if you're a camera newbie or just need to return to the basics, the Nikon Coolpix L4 is a good choice.
Read the Nikon Coolpix L4 full review here.

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September 12, 2006

Review: Fuji Finepix A400

The Fuji Finepix A400 is a simple and very straightforward digital camera. In terms of features it is stripped down to the bare bones. This makes it extremely easy to use. The Finepix A400 has four megapixels and a three times optical zoom lens.

Price wise this camera comes in towards the lower end of the market. Therefore it is likely to appeal to anyone who is looking for a simple and relatively inexpensive digital camera.

This series of cameras offer some of the simplest digital cameras you are likely to find. Features have been cut down to a minimum and this leaves little room for confusion. The menu system is just about the most straightforward you are likely to come across.

Controls for zoom, flash, macro, accessing the menu and reviewing photos can all be found on the back of the camera.


Image Quality
Looking at the outdoor scenic shots there are three major issues I have with the camera. The first and most important one is the lack of sharp focus to each of the shots. This is especially noticeable in the first and second shots. The brickwork on the building in the first shot is nowhere near as sharp as almost all other cameras seem to manage. The whole picture is slightly out of focus in my opinion.

There is better news when it comes to colours. They have a pleasant natural look to them. This is a consistent theme throughout my test shots and is supported by the dedicated test for colours. This test also shows that no single colour dominates and the colours are balanced correctly.

The outdoor portrait shot is my favourite one from the tests. I think this photo works well. It was taken in shade and I used the white balance shade setting to add some warmth to the colours. Skin tones are impressive too.

Moving indoors the Finepix A400 makes a fair attempt at the indoor portrait shot. The picture is again not perfectly focused, but it is a better attempt than managed by many other cameras in this price bracket. When the light gets really low as in the picture of beer bottles the camera does not perform so well. As the lighting levels drop the camera loses the ability to pick out the subject and focus on it.

Considering the price bracket the camera falls into the macro shot is very good. The image produce is sharp and clear.

Shutter Lag and Recycling Times
With digital cameras there can be a delay between clicking the shutter button and the photo being captured. This can lead to missing the picture you wanted. Shutter lag is a major problem if you are taking shots of moving subjects. I was able to take a single photo in 0.45 seconds and five photos in 14.52 seconds. Both of these times are on the slow side.

Features
The three times optical zoom lens has a focal length equivalent to 38 - 114mm in 35mm format. The maximum aperture is F3.3 (wide) and F5.5 (tele). A 3.6x digital zoom can be used as well. For close up photography the Finepix A400 can focus from 10cm away from the subject.

For composing images and accessing the menu system there is a 1.8" LCD screen. The screen is made up of around 77,000 pixels. There is also an optical viewfinder.

Movie mode is pretty basic. Movies are silent and zoom cannot be used. When shooting at the maximum resolution of 320 x 240 the recording time is limited to one minute. If you decrease the resolution to 160 x 120 recording time increases to four minutes. All movies are recorded at a rate of ten frames per second.

The built in flash unit has a maximum range of 3.1m. This falls to 2m when the zoom lens is in use. The flash modes are Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction + Slow Synchro.

To help you take the best possible photos there are a small number of pre programmed scene modes. These are Portrait, Landscape, Sports and Night Scene. By selecting a scene mode the camera is alerted to the type of photo you are about to take. It will then use what it considers to be the optimum settings to take the best possible photo.

When you would like to appear in the picture there is a self timer. This can be set to a delay period of either two or ten seconds. A 3:2 aspect ratio is available. This corresponds perfectly to the shape of a 6x4" photo and means the image will not need to be trimmed at all to fit on to the paper.

There are a few settings available to you that can impact the way the final photo will look. These are sensitivity (Auto, ISO 100, 200 and 400), white balance ((Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light) and exposure compensation (+/- 2 in 1/3 increments). Shutter speeds cannot be changed and are set automatically by the Finepix A400. These work in the range of 2 seconds to 1/1500 seconds.

Fuji supplies all the necessary cables and software to connect the Finepix A400 to a printer, computer and PictBridge compatible printer.

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September 10, 2006

Sony Cybershot DSC S500

Even though Sony already had a budget-oriented 6 megapixel Cybershot, it looks like they've been jonesing for a S500-titled model like all the cool manufacturers have. We are a bit proud of those creative minds at Sony for breaking the general "name predicts megapixel" mould and sticking a 6 megapixel CCD in their DSC-S500, but there really isn't a lot else going on here that we didn't see in this camera's predecessor, the S600. In fact, the S500 has less included memory (24MB instead of 32MB) lower-res video (QVGA instead of VGA) and a smaller ISO range (80-400 instead of 80-1000) than the S600. Still, the new 3x zoom camera does manage a half-inch larger 2.5-inch LCD, and is a bit thinner than the S600. No word on price, or if Sony is planning on selling these two side-by-side, but we're sure Sony's naming committee is high-fiving each other right now for sneaking this one through. Review and Links ...

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September 09, 2006

Nikon Coolpix S6

Nikon is pleased to announce exciting new camera -- The Nikon Coolpix S6 with 6 megapixel (CCD) digital camera and with a 3x Optical Zoom and 3.0 inch LCD screen (230,000 pixels). This stylish new camera combine high-quality imaging performance with a striking wave-surface design. The camera have the ability to improve images in-camera, large LCD and a powerful new Pictmotion function that allows users to create entertaining in-camera shows.It comes with 20 megabytes of internal memory, Wi-Fi ( IEEE 802.11b/g - the feature of the season it seems) and the new PictMotion function which allows slide shows to be made out of favorite pictures, music and movie files. The Nikon Coolpix S6 measures 100.5 x 60 x 21 mm and weights 140 grams. Review and links ...


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September 04, 2006

Repairs Camera Free

The Repairs Could Be Free, If You Follow These Steps

If your camera breaks or malfunctions, it could be covered by a warranty. Why pay money if you can get it fixed for free? Sometimes inducing a manufacturer or electronics store to do the repairs can be a challenge, though. Here are some tips on getting you warranty honored.

Although you may be reading this after you camera is already broken, I still suggest reading through all the steps. Perhaps you charged the purchase to your credit card, and didn't realize it had an extended warranty, for instance? And even if you didn't follow any of the earlier steps, these are helpful lessons to learn for any future purchases.

If you determine it is covered under a warranty, even if you have difficulty getting that warranty honored, do persist. It is your right as a consumer to get your camera fixed if it is under warranty.

Before You Buy:
* When you have determined which camera you want, check with the manufacturer to see what warranty is included with purchase.
* It could be rather extensive, or it could be pretty weak. Also check to see whether their telephone or e-mail customer support is free, as some companies have started charging. Check to see if their support line is an 800 number.
* Consider charging the purchase to your credit card, even if you simply turn around and pay the card company right back. Check to see if your credit card provides extended warranties on purchases, and what the rules are (for instance, it's typically required that the full amount be charged, not a portion of the purchase). This could be a free and easy way to get more warranty coverafe.
* Consider getting the store's extended warranty. In some cases, this is a waste of money, especially if the factory warranty is comprehensive and you have extended coverage through your credit card. But it may simplify things. Perhaps you can bring a broken camera in and trade it for an immediate replacement, instead of having to mail the camera off for repairs.

When You Buy:
* Save your receipts, boxes, all packaging and so on. This will make it much easier to prove you purchased the camera (usually necessary), and the date of purchase.
* Register your purchase with the manufacturer. I know many people a reluctant to do this, but it does make it easier to prove to them that you are under warranty.

When It Breaks:
* Contact the manufacturer or store which holds the warranty immediately and request repairs. If you are reading this article at this point, and don't have the receipts and haven't followed the previous steps, don't worry too much. Perhaps you charged the purchase, and can get your credit card company's statement. Even if you have no evidence, I would push for the warranty coverage. After all, you are due coverage. It will help you if the camera is a new model that wasn't for sale for more than a year.
* Press for a replacement or immediate repairs, and resist mailing it in for repairs. If you must mail it, insure the shipment, track the package, and require a signature upon delivery.

When They Won't Fix It:
* It's time to get pushy. Often times, you can write a letter to the company or companies refusing to honor the warranty. A great site that assists in this is PlanetFeedback.com. http://clk.about.com/?zi=1/XJ&sdn=cameras&zu=http%3A%2F%2Fwww.planetfeedback.com
* File a complaint with the Better Business Bureau http://clk.about.com/?zi=1/XJ&sdn=cameras&zu=http%3A%2F%2Fwww.bbbonline.org or any state government consumer agency.

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September 03, 2006

6 Tips From a Professional

1. Take Your Best Shots
It's summertime and the snappin' is easy. We show you how to get better photos out of any camera--and how to find the best vacation-ready models for your budget.

2. What's the best way to protect your gear from damage?
Always try to use padded cases; Always travel with a backpack. There are the Domke bags, which are not padded--I wouldn't recommend that for any of the digital cameras. I think the extra padding is so worth it. The other thing to look for, if you can afford it, is something water-resistant, not necessarily waterproof.

3. How about theft?
The nice thing about the backpack is use is that people don't know for certain what's in it--it's a camera backpack. When you have a traditional camera bag, people know what's in it, so you have to be extra vigilant in watching it.

4. What works best for backing up your images?
Get an external device that you can download the images to. Then keep that device in your hotel room so, if someone walks away with your camera bag, you have your images in two places. Bring enough cards (if you can) to hold all the images you will shoot on a particular trip, and keep your cards in the little plastic containers they come in so they're protected while you're traveling. You really should have two cards with you at all times, in case one malfunctions.

5. How many batteries should people carry?
Bring three batteries. If you have just two, and leave one charging at the hotel, then you have only one in the field. If it goes dead while you're shooting, it's like, "uh-oh!" Or you forget which battery you've charged and bring the wrong one with you--and spend the whole day on a tour without your camera working.

6. What accessories are most valuable to you?
The two most important accessories that I take with me are polarizer filters and a mini-tripod. It's a very small tripod, almost like a table tripod. Not only can you put it on the ground or hold it against the wall if you want to do a long shot, but you can also put it on the bottom of your camera and hold it against your chest--that's one of the coolest things I learned from another photographer. And I'll tell you, it's been just wonderful for so many applications where you want to keep something steady. I'd guess it will allow you to shoot approximately two stops slower.

David Barron's photographs have appeared in many magazines, including National Geographic and Discover. He has traveled the world, from Iceland to Zimbabwe, for his work and has had to protect and maintain his gear under extremely difficult circumstances. We asked him how you might do the same while traveling with a digital camera.
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September 02, 2006

Not Good enough for Kid Camera Models

From Michael Carr, Your Guide to Digital Cameras.

Christmas time and birthdays tend to bring on the barrage of “I want this and this and this.” As a big fan of photography, I’m hoping some of your kids will ask for a camera for Christmas.

I know there aren’t a lot of choices when it comes to digital cameras and kids. There are a few out there, but we should all know that when a digital camera that has some action figure on it or bright shiny stars we, as parents, know what we’re getting. In fact, nearly every model out that's targeted for children has one problem or another. But let's not let that stand of the way of the child’s imagination.

You can drop money for a mediocre camera with a license character on it. My advice: don't spend an awful lot of money for a children's camera. It doesn't make much sense to spend $30-40 for a camera that doesn't even work well right out of the box.

But if you don’t want to pay a lot of money for a camera that you’re pretty sure will end up being dropped, kicked, lost or who knows what else a child can do to it, there is always the option of the one-time-use disposable cameras.

They’re cheap and meant to be thrown away soon enough.

I know the disposable cameras don’t have Batman or Barbie on them and the child could be disappointed, but it’s a good way to test the child’s attention span before you put more money into it.

I guarantee you’ll be surprised what they see has good subjects for their photos. I know a lot of the pictures will be of the floor or the house cat’s blurry tale as it runs away, but they can also get some great pictures of the most ordinary stuff. It will really catch your eye, since its captured at 3 or 4 feet in height and not the ordinary 6 foot mark. Looking at the child’s pictures will really give you a glimpse into their world.

If you have a CVS store near you, they do offer a disposable digital camera. The CVS digital disposable camera is really a digital camera, with an LCD screen and the option to delete pictures if you’re not happy with them. It costs around 20.00 to buy and 10.00 dollars to get them put on CD. CVS also offers a disposable digital camera without the LCD screen but with the ability to delete photos at about half the price. Even non-digital disposable cameras can get developed with images on CD.

It might be a good idea to let your child experiment first with a throw-away camera. If they are really committed, an older child and behave responsibly with their disposable cameras, then you might consider getting them a rea digital camera. You can find some good choices on my list of Top Digital Cameras for Teens.

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September 01, 2006

Protect Your Digital Camera While Traveling

From Michael Carr, Your Guide to Digital Cameras.

You've spent your hard-earned money on that cool new digital camera. You are traveling in a strange city, hoping to get great pictures for your photo album. Be sure you return home with the camera, and those pictures, intact.

I live in a city that has a very high tourist season and I see travelers daily make mistakes that probably will, one day, cost them their camera.

If you’re planning on a taking a vacation, then I’m assuming you’re planning to take your camera with you. I’m also going to go out on a limb here and assume you’re planning on bringing your camera back with you.

During my time on the French Riviera, I have seen countless cameras that are vulnerable to theft. Cafes line one side of the street where Joe Tourist is sitting sipping on his drink trying to figure out family what to see next.

Joe and his family seem to be having a good time enjoying the sights and the weather, but what Joe doesn’t know is that a thief across the street is checking out his brand new Canon 10D.

You see, Joe wasn’t really thinking about his camera when he sat down at the table. He just put the strap of his camera on the back of the chair and now his camera is dangling there like a worm waiting for the fish to come and take it. Twenty minutes later Joe and his family are getting up to leave. They’ve made their decision on what to see next. Joe reaches for his camera and grabs a nice fistful of sea air. Gone. Bye-bye, brand new camera.

Another goof I see daily is the camera dangling by the strap that’s just over the shoulder of the tourist. Now here is Joe again walking with his family with that camera dangling and a thief walking a few yards behind them watching and waiting. Then the thief begins to run towards the camera. As the thief reaches Joe, he grabs the camera without losing a step. Joe feels the tug on his arm maybe knocking him down or at least off-balance, and within seconds poor Joe is watching his camera go for a run with a total stranger and pretty sure he’s not gonna see either one again. Wave bye-bye Joe.

Both of those thefts could’ve have been avoided if Joe took a few simple precautions:
* Don’t advertise your camera. Keep your camera in a bag, preferably a plain old run of the mill one, not the one that has Nikon, Canon or Kodak plastered all over it. It's much safer for the camera anyway.
* Keep it on your body whenever possible. If it’s a book bag type you can sometimes keep it on you while you’re eating at a restaurant, or you can sit the bag down between your feet and put the chair leg through the back straps to give your bag a little more protection. (Just don't forget it when you leave!)
* Don't just leave it dangling from your neck, either. A quick cut of a knife and the strap is worthless, the camera is gone.
* Be aware of your surroundings. I always give a quick look around before I pull my camera out. Even then, I wrap the strap around my wrist a couple of times before the camera leaves my bag.
* Insure it! All the prevention in the world cannot thwart the craftiest thieves. Your homeowner's or renter's insurance probably offers "scheduled coverage" for an added fee (your insurance otherwise will not cover it once you leave your home). Travel insurance policies also provide coverage, although read the fine print first to be sure the coverage is as valuable as the camera. If you're camera is quite valuable, or you are a pro or serious amateur with a lot of equipment, check into policies specifically for cameras and photo equipment.
* Secure your images. No policy can replace those great shots of the family posing at the Grand Canyon, and imagine the expense to return later. While you are traveling, you can back up those images even without a laptop on hand. Look for hour-photo shops that will convert those images on your memory card to CD. Keep that CD somewhere safe.
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